Nazlı Dinçel’s hand-made work reflects on experiences of disruption. She records the body in context with arousal, immigration, dislocation and desire with the film object: its texture, color and the tractable emulsion of the 16mm material. Her use of text as image, language and sound imitates the failure of memory and her own displacement within a western society.
Born in Ankara, Turkey, Dinçel immigrated to the United Sates at age 17. Dinçel resides in Milwaukee, WI where she is currently building an artist run film laboratory. She obtained her MFA in filmmaking from UW-Milwaukee. Her works have been exhibited in numerous venues around the world including Tiger Shorts competition at IFFR, NYFF, BAFICI, EIFF and HKIFF.
She recently won the Helen Hill Award at the 2018 Orphan Film Symposium, the Eileen Maitland Award at the 2018 AAFF, Jury Awards at 2018 ICdocs and MUFF for Between Relating and Use (2018)
In addition to exhibiting with institutions, Dinçel avidly self-distributes and tours with her work in micro-cinemas, artist run laboratories and alternative screening spaces in order to support and circulate handmade filmmaking to communities outside of institutions.